207 p.Thesis (Educat.D.)--University of Illinois at Urbana-Champaign, 1986.The choral compositions of Richard Strauss remain virtually unknown and unperformed, mostly because of their extreme diffi- culty, and the controversy surrounding their musical merit. One of the motivations of the study was to determine whether a represent- ative work by Strauss lies within the capability of a university-level choral group. This study contributes to comprehensive knowledge concerning one of those compositions and the problems involved in its performance.The present study involved an exhaustive analysis of the un- accompanied choral work Die Gottin im Putzzimmer, by Richard Strauss who used as text a poem of the German poet Friedrich Ruckert. The proc...
© 2019 Stephen James GrantSeventeenth century German composer Heinrich Schuetz is renowned for his s...
Richard Strauss's Concerto for Oboe and Small Orchestra (1945-46, revised 1948) is one of the most c...
Richard Strauss holds an important place in the history of performance. Of the major musical figures...
207 p.Thesis (Educat.D.)--University of Illinois at Urbana-Champaign, 1986.The choral compositions o...
Richard Strauss’ lieder output through his life was dominated by undeniable compositional eclectic...
There have been many works written about the Lieder of Brahms, Schubert, et cetera. However, no one ...
Richard Strauss was one of the most influential German composers in the first half of the 20th centu...
This study culminated in an analysis of Hugo Distler's Eine deutsche Choralmesse for the following p...
A performance tradition stemming from the 19th century permitted lied accompanists to deviate consid...
The purpose of this examination of the musical style of Richard Strauss has been to determine if the...
The name of Arthur Honegger is immediately recognized as that of the most distinguished twentieth ce...
Richard Strauss’s song “Frühlingsfeier,” op. 56, no. 5, was originally composed for voice and piano ...
RILM abstract: Considers the composer-conductor\u27s recordings of his tone poem Don Juan, and chart...
This thesis examines in detail the ways in which music and text relate to and condition each other ...
Richard Strauss's Duett-Concertino for Clarinet and Bassoon with Strings and Harp, AV 147 was one o...
© 2019 Stephen James GrantSeventeenth century German composer Heinrich Schuetz is renowned for his s...
Richard Strauss's Concerto for Oboe and Small Orchestra (1945-46, revised 1948) is one of the most c...
Richard Strauss holds an important place in the history of performance. Of the major musical figures...
207 p.Thesis (Educat.D.)--University of Illinois at Urbana-Champaign, 1986.The choral compositions o...
Richard Strauss’ lieder output through his life was dominated by undeniable compositional eclectic...
There have been many works written about the Lieder of Brahms, Schubert, et cetera. However, no one ...
Richard Strauss was one of the most influential German composers in the first half of the 20th centu...
This study culminated in an analysis of Hugo Distler's Eine deutsche Choralmesse for the following p...
A performance tradition stemming from the 19th century permitted lied accompanists to deviate consid...
The purpose of this examination of the musical style of Richard Strauss has been to determine if the...
The name of Arthur Honegger is immediately recognized as that of the most distinguished twentieth ce...
Richard Strauss’s song “Frühlingsfeier,” op. 56, no. 5, was originally composed for voice and piano ...
RILM abstract: Considers the composer-conductor\u27s recordings of his tone poem Don Juan, and chart...
This thesis examines in detail the ways in which music and text relate to and condition each other ...
Richard Strauss's Duett-Concertino for Clarinet and Bassoon with Strings and Harp, AV 147 was one o...
© 2019 Stephen James GrantSeventeenth century German composer Heinrich Schuetz is renowned for his s...
Richard Strauss's Concerto for Oboe and Small Orchestra (1945-46, revised 1948) is one of the most c...
Richard Strauss holds an important place in the history of performance. Of the major musical figures...